Brautigan: Mozart Complete Piano Sonatas

This CD set is amazing. Ronald Brautigan plays each note with such respect. Every note, every phrase. With this quality, it seems that the pianoforte's weaknesses are actually strengths. The phrasing is so superb, it is almost like listening to your lover whispering your favorite love-poem.

Beautiful technique, softness, and intention. This expands on what one could expect from Mozart works, and certainly raises the bar for new recordings.
A BIS recording on a 1992 (Paul McNulty) replica of a 1795 fortepiano by Anton Gabriel Walter.

Name	Key	Catalogue	Musicians	Observations
Piano Sonata No. 1	in C major	K. 279 (K. 189d)
Piano Sonata No. 2	in F major	K. 280 (K. 189e)
Piano Sonata No. 3	in B flat major	K. 281 (K.189f)
Piano Sonata No. 4	in E flat major	K. 282 (K. 189g)
Piano Sonata No. 5	in G major	K. 283 (K. 189h)
Piano Sonata No. 6	in D major	K. 284 (K. 205b)
Piano Sonata No. 7	in C major	K. 309 (K. 284b)
Piano Sonata No. 9	in D major	K. 311 (K. 284c)
Piano Sonata No. 8	in A minor	K. 310 (K. 300d)
Piano Sonata No. 10	in C major	K. 330 (K. 300h)
Piano Sonata No. 11	in A major	K. 331 (K. 300i)		"Alla Turca"
Piano Sonata No. 12	in F major	K. 332 (K. 300k)
Piano Sonata No. 13	in B flat major	K. 333 (K. 315c)
Fantasia for piano	in C minor	K. 475
Piano Sonata No. 14	in C minor	K. 457
Piano Sonata	F	K.533/494
Piano Sonata No. 15	C	K.545		"Sonata semplice"
Piano Sonata No. 16	Bb	K.570
Piano Sonata No. 17	D	K.576		"Trumpet", "Hunt"

Schubert: Streichquintett C-dur D 956

I have to say that it took me like 10 times to appreciate this quintet. I do not have memory of having heard it before I bought it. The first times, I just thought it was a waste of emotiveness. I had to listen to it a few times, to start identifying passages I liked.
Now I can say that it is among the music that I undoubtedly had to have in my collection. In the allegro, it has stubborn repetitions with accompanying lyricism, alternations of impetus and reflexions. I particularly enjoy the tension Schubert creates whenever he wants to emphasize. Listen particularly to the main theme of the adagio. The allegretto has a playful slavic air. It becomes stubborn too.

This is a live version by the Emerson String Quartet with guest Mstislav Rostropovich as second Violoncello.

String Quintet in C major, D 956 (op.posth. 163)

1. Allegro ma non troppo (19'15)
2. Adagio (14'50)
3. Scherzo. Presto - Trio. Andante sostenuto (10'02)
4. Allegretto (9'22)

[(blogginography note: draft initiated http://blistener.blogspot.com/2007/05/schubert-string-quintet.html)]

Vivaldi: Flute concertos/ Recorder Concertos

The interpretations are impeccable. Refined, emotional and very baroque.
The flute concert in Am has lovely ornamentations. The two flutes (esp. in the adagio) of hte Concert in C are delightful.
Of course, "il gardinello" has not been dethroned. Its evocative quality really transports me from my listening room.

The recorder concertos are beautiful. Although the enthusiastic nature of the interpretation adds emotion to the pieces, the technical aspect of the recorder calls for not stronger wind stream, as it changes the frequency of the notes, causing out-of-tune notes.
The orchestral plays are very surprising and add a real zest to otherwise well-known concertos.
Janet See, baroque flute; Marion Verbruggen, recorder; Philarmonia Baroque Orchestra; Nicholas McGegan, director.

Name	Key	Catalogue	Musicians	Observations
CD 1				Janet See
Flute concerto	D	RV 427
Flute concerto	G	RV 438
Flute concerto	Am	RV 440
Flute concerto	C	RV 533	Stephen Schultz 2nd flute
Flute concerto	D	RV 428		Il Gardinello (the goldfinch)
Flute concerto	G	RV 436
Flute concerto	D	RV 429
CD 2				Marion Verbruggen
Concerto for Recorder	F	RV 433		La tempesta di Mare
Concerto for Recorder	Cm	RV 441
Concerto for Recorder	C	RV 443
Concerto for Recorder	Gm	RV 104	Dennis Godburn, basoon	La Notte
Concerto for Recorder	F	RV 434
Concerto for Recorder	C	RV 444
Concerto for Recorder	G	RV 435

Bach: Cello Suites

This was perhaps the first CD that I heard when I started building my collection. One and a half years later, I listen to Casals again, and I definitely appreciate his interpretation. Before I thought it sounded to harsh, now, I think it is dramatic. The difference in choice of words clearly demonstrates that I have (finally) added to my criteria the intention of the performer.
Casals attack are fierce, conveying a shocking impression which fills the space. The recordings (1936, 1938, 1939) are not flawless (acoustic and precision-wise) yet neither criteria is why you would buy this 2 CD set for.
Casals definitely opened a new way of interpreting Bach, and it is completely portrayed in the Cello Suiten.

Name	Key	Catalogue	Musicians	Observations
CD 1
Suite #1	G	BWV 1007
Suite #2	Dm	BWV 1008
Suite #3	C	BWV 1009
CD 2
Suite #4	Eb	BWV 1010
Suite #5	Cm	BWV 1011
Suite #6	D	BWV 1012

Schubert: Alfred Brendel plays Schubert

This is amazing. It is a lovely set of 3 CD's from Vox. There is no loss throughout the set. (I should come to write further sometime ;). Brendel is brilliant. The set is so favourably priced as well.

Disc 1 (75:04)



• Impromptus Op.90 (D.899) no.1-4


• Moments Musicaux Op.94 (D.780), no.1-6


• Three pieces Op. Posth. (D.946) no.1-3



Disc 2 (67:27)



• Fantasia in Fm for piano 4-hands, Op.103 (D.940)


• Allegro in Am for piano 4-hands, Op.144 (D.947) "Lebensstürme"


• "Grand Duo" Sonata in C for piano 4-hands, Op.140 (D.812).
  With Evelyne Crochet



Disc 3 (74:56)



• Fantasy in C Op.15 (D.760) "Wanderer"


• Impromptus Op.142 (D.935) no.1-4


• Schubert & Liszt: Fantasy in C for Piano and Orchestra
  Michael Gielen conducts the Vienna Volksoper Orchestra

Chopin: Waltzes, Impromputs

This RCA Red Seal CD boasts Arthur Rubinstein's interpretation of Chopin. I would have to admit that it is until these recordings that I have a new feeling regarding Chopin. Before, I enjoyed the virtuous line as a chain of fioriture, but with Rubinstein, it seems to recover a sense that brings Chopin to the front, and not just the piano. I would have to fully agree with the description given by Harvey Sachs (as per the booklet): "extraordinary pose and tonal beauty".

Name	Key	Catalogue	Musicians	Observations
Waltz for piano	E flat major	Op. 18, CT. 207		Grande valse brillante
Waltz for piano	Ab	Op. 34 No.1, CT. 208		Valse brillante
Waltz for piano	Am	Op. 34 No.2, CT. 209		Valse brillante
Waltz for piano	F	Op. 34 No.3, CT. 210		Valse brillante
Waltz for piano	A flat major	KK IVa/13, CT. 221 (B. 21)		Two-four
Waltz for piano	Db	Op. 64 No.1, CT. 212		Minute
Waltz for piano	C#	Op. 64 No.2, CT. 213
Waltz for piano	Ab	Op. 64 No.3, CT. 214
Waltz for piano	Ab	Op. 69 No.1, CT. 215		L'Adieu
Waltz for piano	Bb	Op. 69 No.2, CT. 216
Waltz for piano	Gb	Op. 70 No.1, CT. 217
Waltz for piano	Fm	Op. 70 No.2, CT. 218
Waltz for piano	Db	Op. 70 No.3, CT. 219
Waltz for piano	E minor	KK IVa/15 CT. 222 (B. 56) op. posth.		opus posthumum
Impromptu for piano	A flat major	Op. 29, CT. 43
Impromptu for piano	F sharp major	Op. 36, CT. 44
Impromptu for piano	G flat major	Op. 51, CT. 45
Fantasy-Impromptu for piano	C sharp minor	Op. 66, CT. 46		Fantaisie Impromptu

Cecilia Bartoli: Opera Proibita

This CD is outstanding. Cecilia Bartoli does not stop surprising from track to track. The technique, the expression, the range, the instrumental interpretation. The ordering of the tracks, which interrupted and mixed the oeuvres, worked to a very nice rhythm.
Bartoli's diaphragm control technique along with her varied timbres make this CD a text-book for singers. What exquisite tenderness for Händel's Lascia la spina cogli la rosa.
Les Musiciens du Louvre and Marc Minkowski appear on this Decca CD. As a bonus, the booklet includes the lyrics to these arias.i

1. Scarlatti: All'arme si accesi guerrieri (Aria dell Pace)


2. Scarlatti: Mentre io godo (Aria della Speranza)


3. Händel: Un pensiero nemico di pace


4. Caldara: Vanne pentita a piangere


5. Caldara: Sparga il senso lascivo veleno


6. Scarlatti: Caldo Sangue


7. Händel: Come nembo che fugge col vento


8. Scarlatti: Ecco negl'orti tuoi...Che dolce simpatica


9. Scarlatti: Qui resta...L'alta Roma


10. Händel: Lascia la spina cogli la rosa


11. Scarlatti: Ahi qual cordoglio...Doppio affetto


12. Caldara: Si piangete pupille dolente


13. Caldara: Ahi quanto cieca...Come foco allo splendore


14. Händel: Disserratevi oh porte d'Averno


15. Händel: Notte funesta...Ferma l'ali

Mozart: Piano Concertos 2/9

How rich are Mozart piano concerti. The alternation of forte and piano, and solo and orchestral passages. Interesting march tempo theme in No.26.
Brilliant Vol. 2 CD 9.

Name	Key	Catalogue	Musicians	Observations
Piano Concerto No.18	Bb	KV 456
Piano Concerto No.26	D	KV 537		Coronation Concerto

Beethoven: Symphonies No.1 & 3

Brilliant finally got out their Complete Beethoven collection. This box has 85 CDs, although I have the 100 CD box with 15 historical recordings.
Gewandhausorchester Leipzig, Kurt Masur, 1974 recording.
(Interesting slavic theme which I had not noticed before)

Name	Key	Catalogue	Musicians	Observations
Symphony No.1	C	Op.21
Symphony No.3	Eb	Op.55		Eroica

Backhaus/Rubinstein: My Favourite Piano

This Centurion CD is to listen to Wilhelm Backhaus interpreting Brahms, and to listen to Rubinstein's interpretation of Chopin. If you rather expect a bright sounding version of these works, you should look for a more recent recording, as Backhaus' sound is quite dull. The Recordings are from 1936 and 1946.
Beautiful and unique interpretations each.
Brahms' walzes are quite lively and folk, which was a surprise to me, as I had associated with him a more severe mood.

Name	Key	Catalogue	Musicians	Observations
Brahms: 16 Walzer for solo piano		No.1-16	Wilhelm Backhaus	1936
Chopin: 24 Préludes		op.28, 1-24	Arthur Rubinstein	1946

Mozart: Symphonies 1-11

Beautiful, lively, crisp,... sincere. Even though it is such a well-known pair of works, this version, in Brilliant's Vol.1 CD 11, still manages to surprise the listener.
Jaap Ter Linden conducts the Mozart Akademie Amsterdam.

Name	Key	Catalogue	Musicians	Observations
Symphony No.40	Gm	KV 550
Symphony No.41	C	KV 551		Jupiter