Showing posts with label well-known. Show all posts
Showing posts with label well-known. Show all posts

Saturday, September 11, 2010

Paganini: Concerto per violino e orchestra #1

Niccolò Paganini's violin concerto is fantastic anytime, but the second part is splendid for a peaceful weekend morning.
I now rename Perpetuela as "Flight of the Hummingbird", especially confirmed in the passage where the violin hovers in the background, and the flute comes in.
Salvatore Accardo does a magnificent job. Charles Dutoit conducts the London Philharmonic Orchestra, Galleria Deutsche-Grammophon CD.

Name Key Catalogue Musicians Observations
Concerto per violino e orchestra #1Dop.6Cadenza: Emile Sauret & Accardo
  1. Allegro maestoso
  2. Adagio espressivo
  3. Rondo. Allegro spiritoso
Sonata Napoleone
  1. Introduzione. Adagio
  2. Larghetto
  3. Andantino variato
  4. Variazioni I-III
  5. Finale
I palpiti
  1. Larghetto cantabile
  2. Recitativo (con grande espressione)
  3. Tema. Andantino
  4. Variazioni I-III
  5. Coda
PerpetuelaAllegro vivace

Sunday, August 15, 2010

Beethoven: Piano Concerto 4 & 5

Excellent. Beautiful concerti, and one can always count on Pollini for a forceful virtuoso interpretation. And Beethoven asks for one, of course.



Name Key Catalogue MovementsObservations
Konzert für Klavier & Orchester #5Ebop.73
  1. Allegro
  2. Adagio un poco mosso-attacca
  3. Rondo. Allegro
Emperor
Konzert für Klavier & Orchester  #4Gop.58
  1. Allegro moderato
  2. Andante con moto
  3. Rondo. Vivace
Maurizio Pollini, piano
Karl Böhm / Wiener Philharmoniker.

General information on the piano concerti, scores, instruments, performers, etc: No.5 op.73, at wikipedia
No.4, Op.58, at wikipedia

Chopin: Polonaises (Pollini)

Authoritative interpretation. Strong, commanding. Great force from transparently virtuoso Maurizio Pollini.
Perfectly strict left hand in Polonaise héroïque.
Deutsche Grammophon CD, with Maurizio Pollini, piano, recorded 1976


Name Key Catalogue InstructionObservations
Polonaise 1C#mop. 26 #1Allegro appassionato
Polonaise 2Ebmop. 26 #2Maestoso
Polonaise 3Aop. 40 #1Allegro con brio 'Militaire'
Polonaise 4Cmop. 40 #2Allegro maestoso
Polonaise 5F#mop. 44Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo 1
Polonaise 6Abop. 53Maestoso 'Héroïque'
Polonaise 7Abop. 61Allegro maestoso Polonaise-Fantaisie
Chopin's Polonaises at Wikipedia

Wednesday, June 9, 2010

Haydn: Symphonies 94 "Surprise" & 96 "Miracle"

This is a simple CD. Easy listening of very courtly music. It will be quite familiar to most listeners, and one cannot go wrong giving this Decca CD as a gift.
Christopher Hogwood directs (and plays the fortepiano) the Academy of Ancient Music on authentic instruments of the period.

Name Key Catalogue Musicians Observations
Symphony #96D"Miracle"
  • Adagio - Allegro
  • Andante
  • Menueto & Trio:Allegretto
  • Finale: Vivace
Symphony #94G"Surprise"
"Mit dem Paukenschlag"
  • Adagio -- Vivace assai
  • Andante
  • Menuet & Trio: Allegro molto
  • Finale: Allegro di molto

Sunday, September 27, 2009

Dvořák: Piano Works Played on Dvořák's Own Bösendorfer Piano

I personally did not like this alto CD. I am not someone that enjoys the idolatry of a person nor its objects; so even listening to a 1879 piano belonging to the composer, did not light my imagination.
Radoslav Kvapil is too harsh for my taste, but according to his biography he certainly has the qualifications to interpret these in his own way. The listener must decide.


  • 1-8 Humoresques, Op.101
  • 9-13 American Suite, Op.98
  • 14-15 Dumka and Furiant, Op.12
  • 16-27 Silhouettes, Op.8

Wednesday, September 16, 2009

Strauss: Walzer & Polkas

These are the 1980 Karajan recordings for the famous Strauß (x3) Walzer )waltz).
Interesting is that there are works from Johann father, Johann son (the famous Johann Strauß), and Josef brother.
Karajan and the Berliner Philharmoniker give all this elegance and magnificence to these works. It is fluid, rich, and enveloping. This Deutsche Grammophon CD is among the best Karajan out there, plus these are timeless small pieces.


    Johann Strauss (1825-1899)


  1. "Die Fledermaus": Ouvertüre

  2. Kaiser-Walzer op.437

  3. Perpetuum mobile op.257

  4. G'schichten aus dem Wienerwald op. 325

  5. Unter Donner und Blitz op.324

  6. Rosen aus dem Süden

  7. Johann Strauss (father)(1804-1849)


  8. Radetzky-March op.228

  9. Johann Strauss


  10. An der schönen, blauen Donau op.314

  11. Leichtes Blut op.319

  12. Josef Strauss (1827-1870)


  13. Delirien-Walzer op.212

  14. Johann Strauss


  15. Auf der Jagd op.373

Friday, September 11, 2009

Bizet: L'Arlesienne & Carmen Suites

What a lovely CD for a rainy working evening. Spirited, forceful, harmonious, and well-known melodies, with bright orchestration.
The London Festival Orchestra conducted by Cesare Cantieri plays Bizet's opera suites, in the Point Classic CD.

    L'Arlesienne op.23 Suite #1


  1. Prélude

  2. Minuetto

  3. Adagietto - Adagio

  4. Carillon

  5. L'Arlesienne op.23 Suite#2


  6. Pastorale

  7. Intermezzo

  8. Minuetto

  9. Farandole (Allegro deciso)

  10. Carmen Suite #1


  11. Prélude (Les Toréadors)

  12. Aragonaise

  13. Intermezzo

  14. Seguidilla

  15. Les Dragons d'Alcalo

  16. Les Toréadors

  17. Carmen Suite #2


  18. Marche de contrebandieros

  19. Habanero

  20. Nocturne

  21. Chanson du Toréadors

  22. Le garde montante

  23. Danse bohème

Monday, January 14, 2008

Mozart: Symphonies 1-11

Beautiful, lively, crisp,... sincere. Even though it is such a well-known pair of works, this version, in Brilliant's Vol.1 CD 11, still manages to surprise the listener.
Jaap Ter Linden conducts the Mozart Akademie Amsterdam.




Name Key Catalogue Musicians Observations
Symphony No.40 GmKV 550
Symphony No.41 C KV 551Jupiter

Friday, June 1, 2007

Furtwängler: Beethoven, Symphonien 5 & 7

[post modified jun-2010]
This is a beautiful interpretation. I used to be a musical ignorant and snob to the point that I would have frowned upon the dull recording of this CD. Fortunately, this experiment (of listening to great interpretations) has broadened my enjoyment, and can now heartedly recommend this Deutsche Grammophon CD as a cornerstone for a collection.
What a wide range of emotion, the precision of the attacks and releases is of such beauty. Furtwängler is in control of the orchestra at each step. What a crisp orchestration.
Be prepared for some deliberate slowness in the 5th, and an overwhelming precision and impetus in the 7th. This was an opportunity for Furtwängler and the Berlin Philharmoniker to protest against the way Nazi Germany was heading towards the end of WWII.

Berlin Philharmoniker,Wilhelm Furtwängler

Name Key Catalogue Musicians Observations
Symphony 5 Cm Op.67 Live, Berlin, Philarmonie, 30.6.1943
Symphony 7 A Op.92 Live, Berlin, Philarmonie, 3.11.1943

Monday, March 19, 2007

Bach: Brandenburgische Konzerte 1,2,3

Concerto no. 1 in F BWV 1046. Did not impress me much. I even doubted it was a Brandenburgische Konzert LOL.

Frank de Bruine, oboe
Rémy Baudet, violin piccolo
Teunis van der Zwart, Erwin Wieringa, horn

Concerto no. 2 in F BWV 1047
William Wroth, trumpet
Frank de Bruine, oboe
Pieter-Jan Belder, recorder
Rémy Baudet, violin

Concerto no. 3 in G BWV 1048

Now we talk. I again have to say I have fallen for small orchestras. The intimacy achieved with each instrument. Beautiful Brandenburg Concerto #3.

Rémy Baudet, Sayuri Yamagata, Irmgard Schaller, violin
Staas Swierstra, Marten Boeken, Mariëtte Holtrop, viola
Rainer Zipperling, Richte van der Meer, Albert Brüggen, cello